My practice centres on painting, exploring the sensuality and hybridity of the human figure as a vehicle for emotional expression. I depict full-length figures in staged scenes, using bodies and gestures to exaggerate particular feelings and psychological states. Through sinuous lines and vivid colours, I heighten the emotional intensity of each scene, creating a visual language that moves between the sensual, the theatrical and the fantastical.

Drawing on the elegance of Art Nouveau, the eroticism of Greco-Roman mythology and the stylised imagery of contemporary pop culture, I construct a world of archetypal characters that collectively form my own personal mythology. My paintings function as an evolving archive of this imagined family, in which individual figures embody distinct emotional states while contributing to a broader narrative universe. Oscillating between glamour and the grotesque, I embrace artifice and exaggeration as ways of exploring the complexities of human experience.

My practice is informed by the stark contrasts of Otto Dix, the mythological imagination of Leonor Fini and the personal symbolism of Hilma af Klint. Bringing these diverse visual and conceptual traditions into dialogue, I develop a hybrid aesthetic in which sensuality becomes a form of contemplation and familiar archetypes are transformed into ambiguous, contemporary figures.

I received my Master of Arts from the University of the Arts London in 2020.